Archive for the ‘ Translations ’ Category

アンサー // Answer // 3月のライオン Opening Theme 1


This song brings tears to my eyes.

Seeing 姉弟子 led me to watch Ryuuou no Oshigoto, which led me to go back to 3月のライオン/3-gatsu no Lion/March Comes in like a Lion (a far better show) again, when I really should be packing.

We’re all suffering, you and I and others too, but you’re a light for me, and if anything I wish I could be one for you as well.

Notes:
Most of the decisions settling on I/You/We are based on context and other clues, but are by no means definite. The same goes with the first line being framed as a question. (It felt like a question because of the tone, but whether it is a question or statement in this context doesn’t really change anything.) Notable exceptions are “you” in the 5th stanza and the I in “No one else may, but I know”. Switching even a few of those pronouns around would be enough to change the meaning, but this is what I settled on.

アンサー
 Answer
3月のライオン OP1
BUMP OF CHICKEN

魔法の言葉 覚えてる 虹の始まったところ
あの時 世界の全てに 一瞬で色が付いた
転ばないように 気をつけて
でも どこまでも行かなきゃ

mahou no kotoba oboeteru niji no hajimatta tokoro
ano toki sekai no subete ni isshun’ de iro ga tsuita
korobanai you ni ki wo tsukete
demo dokomademo ikanakya

Do you remember those magic words? It was where the rainbow began
In that instant my world was filled with color
We’ve gotta be careful we don’t stumble
But still we must go as far as we can

日差しさえ 掴めそうな手が
酷く 冷たかったから

hizashi sae tsukamesou na te ga
hidoku tsumetakatta kara

Because though it felt they could grasp sunbeams
Your hands were so terribly cold

本当の声は いつだって 正しい道を照らしてる
なんだって 疑ってるから とても 強く 信じてる

hon’tou no koe wa itsudatte tadashii michi wo terashiteru
nan’datte utagatteru kara totemo tsuyoku shin’jiteru

There’s a true voice always shining a light on the right path
It’s because we’re always in doubt, that in this I strongly believe

心臓が動いてることの
吸って吐いてが続くことの
心がずっと熱いことの
確かな理由を

shin’zou ga ugoiteru koto no
suttehaite ga tsudzuku koto no
kokoro ga zutto atsui koto no
tashika na riyuu wo

Believe in a definite reason
For why my heart is beating
For why I keep breathing
For this burning in my chest

雲の向こうの 銀河のように
どっかで 無くした 切符のように
生まれる前の 歴史のように
君が持っているから

kumo no mukou no gin’ga no you ni
dokka de nakushita kippu no you ni
umareru mae no rekishi no you ni
kimi ga motteiru kara

That it’s you who hold the answer
Like the milky way beyond the clouds
Like a ticket I’d lost somewhere
Like history there before I was born

それだけ 分かってる
僕だけ 分かってる

sore dake wakatteru (wakatteru)
boku dake wakatteru (wakatteru)

If nothing else, that I know (I know)
No one else may, but I know (I know)

鈍く残った 痛みとか
しまってしまった 想いとか
滲んだって 消えないもので
町はできている

nibuku nokotta itami toka
shimatteshimatta omoi toka
nijin’datte kienai mono de
machi wa dekiteiru

Lingering dull pain, feelings we’ve shut away
This town is made of these things which
While they may bleed out to the surface again
They will never go away

魔法の言葉 覚えてる 虹の辿り着いたところ
転ばないように 気をつけて
でも どこまでも行けるよ

mahou no kotoba oboeteru niji no tadoritsuita tokoro
korobanai you ni ki wo tsukete
demo dokomademo ikeru yo

Do you remember those magic words? It was at the other end of the rainbow
We’ve gotta be careful not to stumble
But we can keep going, all the way

なくしたくないものを 見つけたんだって 気づいたら
こんなに嬉しくなって こんなに怖くなるなんて

nakushitakunai mono wo mitsuketan’da tte kidzuitara
kon’na ni ureshikunatte kon’na ni kowakunaru nan’te

Once I’d realized I found something I didn’t want to lose
I couldn’t believe how happy I felt, and how frightened

想像つかない 昨日を超えて
その延長の 明日を抱えて
小さな肩 震える今それでも笑った

souzou tsukanai kinou wo koete
sono en’chou no ashita wo kakaete
chiisa na kata furueru ima soredemo waratta

Overcoming a yesterday I would have never imagined
Shouldering a tomorrow that takes it even further
Even as you shiver now, still you smiled

迷路の奥の ダイヤのように
届かなかった 風船のような
気づけなかった 流星のような
涙を貰った

meiro no oku no daiya no you ni
todokanakatta fuusen’ no you na
kidzukenakatta ryuusei no you na
namida moratta

It was like finding diamonds deep within a maze
The way I received your tears — They were
Like balloons that hadn’t reached their destination
Like shooting stars that had gone unnoticed

だから もう 忘れない
二度と もう 迷わない

dakara mou wasurenai (wasurenai)
nidoto mou mayowanai (mayowanai)

So never again will I forget (never)
Never again will I hesitate (never)

心臓が 動いてることの
吸って吐いてが 続くことの
心がずっと 熱いことの
確かな理由が

shin’zou ga ugoiteru koto no
suttehaite ga tsudzuku koto no
kokoro ga zutto atsui koto no
tashika na riyuu ga

I know there’s a definite reason
For why my heart is beating
For why I keep breathing
For this burning in my chest

砂漠の粒の ひとつだろうと
消えていく雨の ひとつだろうと
貰った 名も知らない 花のように
今 目の前にあるから

sabaku no tsubu no hitotsu darou to
kieteiku ame no hitotsu darou to
moratta na mo shiranai hana no you ni
ima me no mae ni aru kara

Even if this is just a grain of sand in the desert
This moment, just another rain shower fading away
The answer is here, right in front of me
Given to me like a flower I know not the name of

それだけ 分かってる
僕だけ 分かってる
だから もう 離れない
二度と もう 迷わない

sore dake wakatteru (wakatteru)
boku dake wakatteru (wakatteru)
dakara mou hanarenai (hanarenai)
nidoto mou mayowanai (mayowanai)

If nothing else, that I know (I know)
No one else may, but I know (I know)
So never again will I forget (never)
Never again will I hesitate (never)

Advertisements

Comedic Mechanism: Parade of the Jane Does (291/291)

I reserve the right to remove this translation without warning.

Progress:
[15/291]
[35/291]
[56/291]
[73/291]
[93/291]
[124/291]
[135/291]
[156/291]
[177/291]
[190/291]
[256/291]

This an experiment.

Don’t worry. I don’t really understand it either.

If you would like to see more, please donate. [PayPal]

Translation Notes:
[262] As far as I know, Seventh Symphonic Finger, Reverent Door Finger and Memelt are all made up words.

Comedic Mechanism: Parade of the Jane Does

[5]

Table of Contents

Chapter 1: A Night of Unpleasant Rain – 7
Chapter 2: March of the Saints – 95
Chapter 3: An Unbearable Existence in Suffering – 191
Chapter 4: An Emptiness Devoid of Color Contrast – 257

[15/291]
[35/291]
[56/291]
[73/291]
[93/291]
[124/291]
[135/291]
[156/291]
[177/291]
[190/291]
[256/291]

[257]

Chapter 4: An Emptiness Devoid of Color Contrast

[259]

—Look there to the gates of Hell, opened to welcome ten thousands.

When Maribel Hearn opened her eyes, it seemed that the lecture she had been attending was over. She looked around the fan-shaped lecture hall, followed the rising stadium-style seating with her eyes and found she had taken a seat on the very edge of the classroom.

The thick saliva pooled in her mouth and the slight bruise left on her wrist upon which she had rested her head both suggested she had slept through class.

Merry looked at her watch. It was 12:10 pm.

“It’s not like me to let this happen,” she muttered under her breath.

The all-nighter had caught up with her, and since she had slept in such an awkward position, the area around her lower back and hips stung with pain.

“It feels like…” Merry muttered as she put her writing utensils away in her bag, “…like I had some sort of strange dream. I wonder if it was a nightmare.”

[260]

“Oh, I hope I didn’t snore…” Considering where and when she had been sleeping, Merry felt a little embarrassed. “This is all Renko’s fault,” she muttered again as she took her bag and stood up from her seat.

When Merry walked out into the hall, she was the only one there. All the other students were already gone. They all must have either gone to the cafeteria or outside to eat lunch. It wasn’t exactly unusual for it to be this empty inside.

Thinking nothing more of it, Merry started walking down the hall of the deserted building. She fished her handheld terminal out of her bag and opened her message folder . There weren’t any unread messages. With one hand, she started typing out a new message. She wondered where her friend Renko was. They had promised to have lunch together. Even after she finished the message and sent it, she kept the terminal in her hand as she walked.

I wonder what I should do for lunch.

Merry normally grabbed something for lunch from the convenience store on her way to class, but unfortunately that morning, she had overslept and barely made it to class at a sprint. Picking up lunch was out of the question, so now she was empty handed. This was not the best way to start the day.

“Ugh,” she sighed.

[261]

Last night — more accurately this morning — in the name of their usual “boundary searching”, Merry had agreed to go with Renko to some ruins on an abandoned train line, and that was where her luck ended. Renko started to go on about how it didn’t mean anything if they weren’t exploring the area at midnight, and they ended up leaving at eight at night. If she knew it was going to take at least four hours to get there and they had to be back in time for class the next day… of course there was no way they were going to get any sleep. This isn’t the first time Renko had pulled something like this, but this time — this time she had gone a bit too far.

Merry turned a corner at the 79th hallway, raced up the 184th hallway and went down the 24th stairwell. The door leading outside was just ahead, but Merry still had yet to run into anyone on her way there. She began to think it was a bit quiet, but after all it was lunch, everyone was on break — it was always somewhat like this.

Renko still hadn’t responded to her message.

I wonder if I should call her? I guess I could at least wait until I’m outside.

[262]

Merry turned and kept walking down the hall, fiddling with her terminal. She turned a corner at the 198th hallway, and raced up the 572th hallway. All that was left was to climb the 448th stairwell and she could go outside.

Merry pulled open the sliding door in front of her, and looked upon the six mat apartment room where Renko lived.

I knew it. She’s still asleep.

After all, they had been out so late the thought did cross Merry’s mind…

Merry reached out and shook Renko as she lay on her bed.

“Are you sure you’re going to pass all your classes like this, Renko?”

Renko spewed rainbow foam in a retort from the semicircular canals on the side of her third head.

My friend really is a stubborn one when it comes to things like this, isn’t she?

Merry shook Renko harder. Renko must have been in a terrible mood because she put her seventh symphonic finger and her reverent door fingers together in the shape of a Memelt snail.

“Hey, don’t get angry at me. I was a mess too this morning because of you.”

Renko pulled herself up and rubbed the eggplant and cucumber in the middle of her face, spitting out a black caterpillar in an apologetic fashion.

[263]

“If you’re going to feel bad about it later, I’d rather you consider the consequences of your plans before you act on them,” Merry complained with a sigh. “So, are you going to skip the rest of you classes today? What about your part-time job?”

Oh, no worries there, Renko said with a smile. She took the carpenter’s plane she had left by her pillow and started shaving off the slatted boards that were attached to her second head as she looked around for her handheld terminal.

Something about her seemed different from usual. She seemed flustered.

“Did something happen?”

Renko couldn’t find her handheld terminal. I might have dropped it somewhere, she said ominously, starting to panic.

“Oh come on. Pull yourself together. You’ve been acting weird lately.”

Renko folded her arms up with her hands under her chin and tilted her head, as if she was trying to trace back over her memories. Merry decided to try to help, tracing back over the days events aloud.

[264]

You had it when we were on the train yesterday, right? What about when we switched trains? If you didn’t have it, you shouldn’t have been able to get through the gate, so you must have had it at the station at least. How did you get home from the station? There weren’t any taxis available so you walked back to your apartment? In that case, did you think to put it on the charger before you went to sleep? You don’t remember doing that? In that case, what about right before that? Right before you entered your apartment you checked the time, so you must have had it then? But it wasn’t by the front door because I would have seen it there when I came in and it wasn’t there. In that case…

When I got that far, her first head turned.

“Hmm? What is it?”

[265]

It might be here, she said, looking into the flatscreen television hanging from one of the walls off in a corner of the room. After stroking its surface, she took a hammer that was nearby and smashed the screen. A thick greenish fluid spilled out from the screen, but unfortunately it seemed, her handheld terminal was not inside. That’s so strange, so strange, she muttered, taking the hammer and smashing parts of the television nearby at random.

You don’t need to be that flustered about it, how about I try calling it?

Ah, that’s smart, Merry, she muttered. She really must have been out of sorts, because normally she would be the one to think first of something so simple.

Merry started up her terminal and selected her friend’s name from the address book. Merry could hear the ringing tone on her end, so she could tell that Renko’s terminal was not turned off or out of battery, but unfortunately, not a single note of Renko’s ringtone could be heard in the room.

Maybe her terminal was stuck somewhere so that it was hard to hear it.

[266]

Renko checked under the bed, in her slippers, and behind the refrigerator, but couldn’t find it.

This is bad, this is bad, she muttered.

Finally Merry’s terminal got a notification that the answering machine was ready to take her message.

“Hey Renko, how about you call the station. They may have it at the lost and found,” Merry said, handing her terminal over to her friend.

Thank you, she said, and dialed the station. After a few moments, the station picked up. Hello. Um, I think I might have dropped my phone and… uh, yes. That’s right. It was last night, or rather, I think it happened when I was on my way back, on the first train today, yes. Yes, I think it may have been at that time. Yes. It’s a Kelios brand. The model number is LM042. Yes, it’s black. Straps? Um… No, I don’t have any of those attached to it. Okay. Oh, alright. I understand. Thank you.

[267]

“How did it go?”

They said they hadn’t gotten any terminals in matching that description. It’s so strange, this is so strange, she muttered, and twisted the lever attached to her third head’s left ear again and again.

That’s not a faucet you know, no matter how much you twist it, nothing is going to come out, Merry reprimanded Renko in her head, but given how flustered Renko was, she decided not to say anything.

“Where else could you have dropped it?”

Oh, that’s right. Could you call my terminal again? Renko asked. It seemed that something just wasn’t making sense to her.

[268]

It wasn’t like calling Renko’s terminal was a problem for Merry, and so she dialed again and put her terminal to her ear. She heard the dialing tone. Renko checked her bag, the inside of her light fixtures, and the contents of her stomach, which she had spit up and turned inside out. Since it was turned inside out and was out of her body, it twitched when touched and Merry thought it looked like it hurt.

“That’s it. Renko, I know where it is, it must be there!” Merry said, taking Renko’s hand and leading her to the bathtub.

The bath unit was about four tatami mats in size, and there was a mannequin’s arm growing out of the toilet. The skin was made from pigeon droppings and twigs, so Merry thought that Renko hadn’t cleaned the bathroom much.

[269]

Renko was in the bathtub. She had been soaking for too long and her body was bloated, having absorbed some of the water she was soaking in, and half of her had already melted away. Her exposed ribs, the hot water in the tub, and her organs all melted together, and altogether she was like a stew. The brown floating things faintly bobbing in the water were probably her excrement. Merry pointed into the tub.

[270]

“Don’t you think it’s in there?”

I can’t believe you would think I’d be so simple minded as to forget my terminal in a place like this, she sulked, but just in case, she extended her arm. A knife switch on her back became visible through her shirt, and Merry felt a strong and sudden urge to throw that switch.

It doesn’t look like it’s here, Renko said, sinking half of her arm into the bathtub.

[271]

Merry could smell the stench of sizzling flesh.

Oh, it wasn’t hot water, it was sodium hydroxide. I didn’t know. I’m sorry though. Merry said, and threw the switch.

With the snap of of electricity breaking, Renko’s body collapsed into several pieces.

Oh no, what will I do? I cannot figure out whether this is her right head or her left thigh, Merry thought. After all, Renko didn’t say anything after that. With the safety razor at the sink Merry took the only head Renko had left, her first one and shaved off her hair, but the instruction manual was nowhere to be found.

[272]

Maybe it had to be the third head. That’s no good.

When Merry looked up, she saw that the mirror above the sink was Renko’s handheld terminal.

“Oh, Renko, I found it. I wonder why you left it here.”

Merry looked up and saw that the ventilation fan was running. Around the ventilation fan were countless flies, all stuck to the ceiling. As the ventilation fan spun, they buzzed along with it.

From behind the ventilation fan, Renko answered. I must have left it there when I was washing my face. I completely forgot about it.

“Really Renko, you are quite the wreck when it comes to things outside your speciality.”

[273]

That’s mean. Even I am able to take care of myself.

“Are you sure about that? I mean, right now you’re in pieces.”

Well that’s because you threw the switch. Why did you have to go and do that?

“I wonder why.”

Merry tilted her head and thought, but no answer came.

***

When she opened her eyes, Usami Renko was sitting in a chair.

She felt as if she had just woke from a terrible nightmare.

When she stood up from her chair she felt something soft touching the soles of her feet. Looking around she saw that the surrounding area was buried in countless copies of herself. Are they dead or… might they be alive?

“The witch mechanism will not let the story end.” Renko heard a voice at her ear.

[274]

“Who is it?”

“I am a witch
“We are witches
“We are —
“—so named
“—naught but Jane Does

Overlapping voices echoed throughout space.

Renko walked forward stepping on and over herself. To where? Where did she want to go? What did it mean for her to be here in the first place? Renko did not know.

“Ending a story before it’s over
“Ending a story before it’s finished
“Removing the signature from a story
“Happy endings —
“— and tragic ends
“Denouements —
“Everything just biting upon the sand —
“— we will abandon.

[275]

She could hear the witch’s voices.

Finally Renko arrived at a single coffin made of glass. The inside of it was filled with gold roses and silver columbines, and in their midst was a sleeping girl — an outline in the shape of a girl, and inside that countless eggs were stuffed, pigeon eggs smeared with their feces.

“Something tragic, such a simple term
“If that is all you wish for
“If that is what you wish for then
“We shall search for an incident
“That is to cultivate the void
“That is the same as an empty parade devoid of music
“Not letting things end
“Not letting things converge

[276]

“Infinite division
“There are several options
“We know where all of those paths lead
“However ‘We’ are unable to make the choice

“Are you complaining to me?” Renko laughed sardonically.

“Do you want to end this?”

“I dunno.”

“The you of this story will surely never find happiness.”

Renko reached out to the lid of the coffin.

“You mustn’t open it
“We finally created a divergence
“With the witch’s mechanism
“Your death
“The death of your friend
“This story

[277]

“We locked them all in eternity
“We understand
“Like the irresponsible movies of Alan Smithee
“Everyone desires
“Everyone
“Everyone desires your death
“If you open that coffin
“You will yet again become a butterfly specimen
“Everyone
“Everyone wants only to see your death
“However
“No one will see it
“You are a ghost
“As the most pure white écriture, you do not exist
“If the story does not end
“You will remain eternal

[278]

“A story that has lost its signature
“—is released from the curse of publication
“That is itself
“The Fantasy Release
“Your Release
“Your de-ghosting
“So
“Please don’t
“Don’t open the casket
“Live and be happy!

Renko looked up.

There were countless swords held over her countless corpses. Eyes were buried in each of the blades of those swords.

Renko looked up and laughed.

“If ‘You’ all wish for my death…”

Renko lifted the lid of the coffin.

“No, that’s not it. Not knowing whether my love will ever flower or die, me being stuck here to live among my own corpses, I say to hell with that!”

[279]

Inside the coffin was…

“‘I’ will decide my own happiness.”

…Maribel Hearn, sleeping, buried in gold and silver flowers.

“Come, Merry, let’s go. There’s no use in us staying here.”

She didn’t answer, as she was still asleep.

Renko took her hand.

“In times like this, isn’t what ‘You’ really want a story where love and courage saves us and the whole world along with it!?”

So…

“Let’s go Merry! To the other side of the boundary!”

All of the flowers tangled about Merry’s body began to come undone, the vines holding her in place — everything came apart.

Renko embraced her and called her name. Her eyes opened slightly.

“Merry.”

[280]

“Renko.”

“Let’s go together.”

She seemed in a daze.

“Let’s go together, just like we always have. Let’s go to the other side of the boundary.”

“No,” she muttered.

“Merry…?”

“No, you disgust me.”

The moment she finished her sentence, Merry’s body turned to ash and disappeared.

“Merry…?”

“That’s why…
“We warned you…
“You mustn’t complete the story
“You mustn’t give the story its signature
“Cultivating the void
“That is to write everything on écriture pure white as virgin snow

[281]

“Even if that is criticized
“Even if that is called the product of pure self-satisfaction
“Even if that is not something that is wished for
“Cultivate the void
“The witch’s mechanism creates a divergence
“Then, to keep the story from ending for all eternity
“In order to freeze everything in place
“The story needs no deus ex machina
“These are not holy scriptures
“It must not be ended, ever
“And yet you
“You—
“—ended it didn’t you.
“Ah, the deus ex machina is coming
“Everything
“Altogether everything

[282]

“Without taking any responsibility
“You ended it.

A single mirror appeared before Renko’s eyes.

In it, she could see herself.

She could see herself with her friend Maribel Hearn.

“Ah, perhaps in another world line
“You two may be married
“Ah, perhaps in another world line
“You two may be facing off together against a monster that came across the boundary
“Ah, perhaps in another world line
“Is there really need to say anymore?
“Ah perhaps “perhaps “perhaps “perhaps “perhaps
“—in another world line where your heads aren’t switched.
“Oh, it might have happened
“Oh, it might have not happened
“But you ended it.

[283]

“The witch’s mechanism will now move to another place
“Another world with more possibility for happiness
“After all the effort we put
“Putting so much of the Devil’s mirror in your eyes
“To freeze you
“Why I wonder, did you not freeze?
“No, that’s not it

Renko sat back down in the chair
In the mirror she saw daily life, sitting on countless bodies of herself, imagining — imagining a world in which she could die happy.

[284]

“Ah.
“So that’s it.

[285]

“The witch mechanism’s deepest wish has been fulfilled!

[286]

“I
“We

[287]

[288]

“Destroyed this story!

[289]

[290-1]

(Excerpt of Hans Christian Andersen’s The Snow Queen “The First Story”) [link]

THE END

Play the Game

I’m still frustrated by how hard Sony makes it to buy this game overseas, so I have not been able to play it yet. One day. One day. I worry the novelization has stalled because I was still planning on reading that.

Don’t forget to love(r) yourself.

Play the Game
歌:亜咲花
作詞曲:志倉千代丸

Do not forget to lover yourself. 果たされぬ約束
想い出が愛に溢れる お願い 止めないでレディオDJ

do not forget to lover yourself hatasarenu yakusoku
omoide ga ai ni afureru onegai tomenaide radio dj

“Do not forget to love yourself,” an unfulfilled promise
My memories of you are overflowing with love —
 Please don’t stop the radio, DJ

学校じゃ教えてない 愛と温もりの意味
この期に及んでまた 理想主義の授業

gakkou ja oshietenai ai to nukumori no imi
konogo ni oyon’de mata risoushugi no jugyou

The meaning of love and warmth they don’t teach you in school
After everything that’s happened again I’m studying it like an idealist —

and Hope is a waking dream. リロード伸びないアクセス
Deep in my soul I know your destiny. 開かれたページは

and hope is a waking dream reload nobinai access
deep in my soul I know your destiny hirakareta page wa

— and hope is a waking dream. I reload, but my access is still limited
Deep in my soul, I know your destiny. The page opened before me was…

目に見えない存在なんて 騙されないよ僕は
肝心なのは触れられる 温もりとその証
笑えないね こんなストーリー
何処に向かうの? Play the game.

me ni mienai son’zai nan’te damasarenai yo boku wa
kan’jin’ nano wa furerareru nukumori to sono akashi
waraenai ne kon’na story
doko ni mukau no? play the game

I won’t be fooled by things I cannot see, not me
What’s important is being able to touch, to feel confirmation in warmth
This story’s like a bad joke, isn’t it?
Where are you going? Play the game.

エレクトリックな鼓動で 駆け抜ける衝動
電極は花火を散らし やがて宇宙に包まれる
Do not forget to lover yourself. 果たされぬ約束
想い出が愛に溢れる お願い 止めないでレディオDJ

electric na kodou de kakenukeru shoudou
den’kyoku wa hanabi wo chirashi yagate uchuu ni tsutsumareru
do not forget to lover yourself hatasarenu yakusoku
omoide ga ai ni afureru onegai tomenaide radio dj

I feel an impulse to reace through the electric beat
As electrodes send sparks and are finally enveloped in space
“Do not forget to love yourself,” an unfulfilled promise
My memories of you are overflowing with love —
 Please don’t stop the radio, DJ

点と点の繋がり 道が結ばれて行く
その先に訪れるスペシャルな好奇心

ten’ to ten’ no tsunagari michi ga musubareteyuku
sono saki ni afureru special na koukishin’

Paths are tied from point to point,
Followed by the overflowing of a special curiosity —

and Hope is a waking dream. 止まり 止まる 止まれ
Deep in my soul I know your destiny. 壊れたクラクション

and hope is a waking dream tomari tomaru tomare
deep in my soul I know your destiny kowareta klaxon

— and hope is a waking dream. Halt Halt Halt!
Deep in my soul I know your destiny. The car horn is broken.

重ね合わせの世界 未来ダイヤル回す
ステージの幕の裏 詠唱された呪文
震えていた あんなシーンが
繰り返される Play the game.

kasaneawase no sekai mirai dial mawasu
stage no maku no ura eishou sareta jumon’
furueteita an’na scene ga
kurikaesareru play the game

Worlds in superposition turn the future dial
Behind the stage curtain, magic words are chanted
The kind of scene that had me shaking
Is looped. Play the game.

不可思議なフェイク気づかず 侵食は止まらない
夢見がちな蝴蝶の群れ それは目を覚まさないまま
Do not forget to lover yourself. 激しい耳鳴りが
運命をあざ笑うから 今は 聴かせてレディオDJ

fushigi na fake kidzukazu shin’shoku wa tomaranai
yumemigachi na kochou no mure sore wa me wo samasanai mama
do not forget to lover yourself. hageshii miminari ga
un’me wo azawarau kara ima wa kikasete radio dj

All oblivious to the strange fakes, their encroachment will not end
While the clusters of butterfly dreamers remain unwaking
“Do not forget to love yourself,” The ringing in my ears is raging
But I’ll show fate, just you wait, so —
 For now let me listen, radio DJ.

盲目な神の支配 残酷の真実
引き伸ばされた時間なら きっとあの日に帰るから――

moumoku na kami no shihai zan’goku no shin’jitsu
hikinobasareta jikan’ nara kitto ano hi ni kaeru kara

Under the reign of a blind god, the truth is cruel
But if time is stretched out, surely I’ll be able to return to that day.

エレクトリックな鼓動で 駆け抜ける衝動
電極は花火を散らし やがて宇宙に包まれる
Do not forget to lover yourself. 果たされぬ約束
想い出が愛に溢れる お願い 止めないでレディオDJ

electric kodou de kakenukeru shoudou
den’kyoku wa hanabi wo chirashi yagate uchuu ni tsutsumareru
do not forget to lover yourself hatasarenu yakusoku
omoide ga ai ni afureru onegai tomenaide radio dj

I feel an impulse to reace through the electric beat
As electrodes send sparks and are finally enveloped in space
“Do not forget to love yourself,” an unfulfilled promise
My memories of you are overflowing with love —
 Please don’t stop the radio, DJ

Comedic Mechanism: Parade of the Jane Does (256/291)

I reserve the right to remove this translation without warning.

Progress:
[15/291]
[35/291]
[56/291]
[73/291]
[93/291]
[124/291]
[135/291]
[156/291]
[177/291]
[190/291]
[256/291]

This an experiment.

This post is the entirety of chapter 3. If you read the last post (now deleted) already and do not want to re-read the edited portion, start at page 211. There are a series of pages that only have images with captions, and on those pages I have done my best to describe the images in words, and I have put those descriptions in parentheses.

We are almost done with this crazy book, can you believe it?

If you would like to see more, please donate. [PayPal]

Translation Notes:

Comedic Mechanism: Parade of the Jane Does

[5]

Table of Contents

Chapter 1: A Night of Unpleasant Rain – 7
Chapter 2: March of the Saints – 95
Chapter 3: An Unbearable Existence in Suffering – 191
Chapter 4: An Emptiness Devoid of Color Contrast – 257

[15/291]
[35/291]
[56/291]
[73/291]
[93/291]
[124/291]
[135/291]
[156/291]
[177/291]
[190/291]

[191]

Chapter 3: An Unbearable Existence in Suffering

[193]

―”Thrust the knife, my child, for you are a little saint… and all is inhuman.”

“Do you know of the tale of the hundredth monkey?”

So asked the witch, who went by the name of Kirisame Marisa.

The Otherworld Release Research Facility was about thirty minutes away from West Kyoto Station by train, with a few transfers in between. Honestly, I do not remember the reason why I first ventured to come to this place. I have a feeling it may have been due to some solicitors at the university, or because I saw a poster for it on a bulletin board, but it’s not as if I have any clear memory of either of those things happening. There was probably no real reason for me coming at all — I just… did.

Though I knew this was one of the headquarters of the Fantasy Release Movement, my first impression was that it was more like an underground bar. It was part of an old western-style mansion, and you could tell from a glance that the building had not been used for a long time. I wonder if they chose this location because they were able to get a good deal on the building… if they bought it at all. Maybe they thought no one would chase them out if they chose to squat here. The research facility was in the basement.

All of the windows were boarded up, and there was no other lighting in the main part of the building, so even though it was noontime outside, it was dark as midnight inside — except for the basement. From the basement came a bright glow like light of a full moon. I was certain electricity was cut from the building, but I didn’t know from where they could have brought an alternative power source. The impression I got was not that this light came from some sort of electric or gas lamp, but from something else entirely I did not know.

[194]

The “Fantasy Release Movement” — what I entered into felt less like its headquarters and more like the underground gathering place of some old society. The walls of the room were bare concrete, and all they contained was a collection of round tables and chairs. The only other thing of note was a white curtain hanging from one of the walls. It was for use with a projector, someone said.

That was all.

When I arrived, there were already a few young men and women who looked like students gathered around one of the tables, talking. There were papers and books scattered around the table. I was told that you couldn’t bring portable terminals or any other electronics into the room. Those devices ran contrary to the other side of the boundary, they said.

Even so, I thought, I’m surprised they were able to get their hands on so many paper books.

In this scientific age, paper books are no more than collector’s items. They are an unnecessary medium, prone to immediate degradation.

[195]

Digital records are easily lost.

— someone said.

Digital records containing the boundaries and everything beyond them have already been lost, they said. Therefore, we must rely on print, for only in print does the truth lie — they said.

In the beginning I thought that was nonsense, but…

There was a girl sitting cross-legged on the table, smiling.

She had on a black apron dress, like a character out of an old story, and wore a black witch’s hat over her blonde hair. Everyone seated at the table had turned their chairs toward her — and I was no exception. It felt almost as if we had come to worship her.

I heard the sound of gears quietly clicking and clinking together, and that sound came from the machine set behind the girl on the table, behind Kirisame Marisa.

It was an old analog computer, similar to the kind used by the Japanese military long ago. It looked like a box, with the bottom tapered, so that it was larger at the top. On the side of the box were countless dials and gauges, along with buttons and levers to operate it. Four legs extended from the bottom to hold it up, but otherwise there was nothing else to describe about it. I wondered what powered it. It didn’t look as if it were being supplied by any power source. If it was something that was originally designed for use in wartime, perhaps it was powered by wound-up springs.

[196]

Marisa leaned back against the machine.

“The ‘tale’ is really a thought experiment proposed by Lyall Watson, but it is based on the behavior of the Japanese macaques of Kojima, an island off the coast of Kushima’s Ishinami Beach, in what used to be Miyagi Prefecture. One day, a few of those monkeys on the island began to wash sweet potatoes with seawater before eating them. They must have discovered that it added an interesting flavor to their food, and as time went on, more of the monkeys began to wash their potatoes with seawater.”

I could hear the sound of gears turning, click click clack.
I could hear the sound of gears turning, click click clack.
I could hear the sound of gears turning, click click clack.
I could hear the sound of gears turning, click click clack.
I could hear the sound of gears turning, click click clack.
I could hear the sound of gears turning, click click clack.

Everyone listened intently to the witch’s words.

She looked far younger than me — in fact, she looked by far to be the youngest in the room — and yet everyone still acted as if she were an object of worship. The way she carried herself, her actions, her tone of voice — it was as if gravity itself had bowed to her, drawing our gazes toward her, as if there was nothing more natural.

[197]

“More and more of the monkeys washed their potatoes, so that ten became twenty, and twenty became forty. Finally, when their number became one hundred, what do you think happened?”

There was whispering. I could still hear the gears turning.

“Not only did all of the monkeys on the island begin to wash their potatoes with seawater, but all of the monkeys in the surrounding area began to as well. Once the hundredth monkey appeared, the learning was telepathically transmitted, in much the same way the crystallization of glycerin occurs.”

The gears were crying.

“Are you talking about the Sheldrake Hypothesis?” someone seated at the table asked.

“Yes, exactly. You might call the hundredth monkey the threshold of synchronicity.”

“Threshold?”

“Or you can call it the boundary threshold if you’d like. It’s the threshold that when reached, causes what you are currently seeing to be synchronized across the boundary. Now this doesn’t just take one or two people, it takes at least ten — no, a hundred people. Once that threshold is reached, other communities will be able to see across the boundary — no, it’s more than that, both sides start to become synchronized. If this synchronization continues, humanity will completely merge with the other side, accept ambiguity, and become the way it was meant to be.”

[198]

That is the true goal of the Fantasy Release Movement, they say.

I wonder just who this girl is, anyway. Everyone at the table just stares at her with empty eyes. Not one of them seems to doubt her.

“When they reach that point, people will be able to find what is truly important to them. ‘What did I like?’ ‘What did I really want to do then?’ ‘Who did I like?’ and ‘Who did I want to be?’ You hesitate before these questions because you have lost ambiguity. You lack the answer to these question because you have lost ambiguity. You have been led astray by the need for black and white, for one and zero.”

“Um, excuse me.”

When I spoke up, all of the people around the table looked my way. Their eyes were empty, with nothing reflected in them. The indistinct glow of light within this dark building — the bright light like that of the full moon that lit this room, began to flicker.

It seemed as if everyone’s head was swelling.

[199]

“What is it?”

“Well, I was wondering… You call yourselves the Fantasy Release Movement, but… What do you plan on doing once the fantasy has been ‘released’ so to speak?”

“This world is a butterfly specimen,” replied the girl, Marisa.

“A… butterfly specimen?”

“Exactly.”

*

Let’s talk about some butterfly specimens and the exhibitions in which they were displayed.

There was a large exhibition of butterfly specimens held once or twice a year by a certain group, with smaller exhibitions held once a month. In the beginning, these exhibitions consisted solely of collectors and connoisseurs displaying their specimens and viewing others’. Both those who manufactured the specimen displays and those who came to view them were satisfied with the exhibition as it was.

But as we are, such things begin to feel mundane after a while.

There was a person who began to pay more attention to the box that the butterfly specimen was housed in. A standard box purchased at the market could not possibly hold in the butterfly’s beauty, he thought, and so he prepared a box made of glass on all four sides, and placed four of the same kind of butterfly in it.

[200]

One of the butterflies was pinned to flower. One was pinned as if in flight. One was pinned laying eggs. One was pinned caught in a spider’s web. This specimen of butterflies, as a whole, showed all of these things.

When the specimen was put on display, all those at the exhibition showered it with praise. There were many who wondered aloud whether, up until now, they had put too much emphasis on the rarity of the butterfly as opposed to other factors concerning its display.

There was a person who made a specimen out of a dissected butterfly. In the box was a butterfly’s wings, the body the wings were ripped from, and its feelers all pinned apart from each other.

There were more than a few at the exhibition who were bothered by this display, but there were other who remarked that more closely represented the original purpose of a biological specimen. One could say that given the controversy it produced, it was a particularly groundbreaking specimen.

There was a person who selected a number of particular kinds of butterfly and pinned them so that they formed a circle in the display box. This specimen was modelled after a well known fairytale. The butterflies were placed in such a way that they followed the outline of the tale, and attention was also paid the color of the pins to further enhance the feeling that a story was being told.

[201]

Was not the true nature of butterflies to be found in their potential for the expression of a story? Because the story the specimen referenced was a story everyone knew, the butterflies on display were alive in the story, alive in the viewer’s mind, and that moment of life was all contained in this specimen as a whole. Was not this phenomenon itself meaningful? So the viewers of this specimen praised it.

There was a person who put in a specimen box the larvae, chrysalis, and eggs of a butterfly preserved in alcohol. But was this even a butterfly specimen? It did not even contain a butterfly — the butterfly itself was absent.

But was not the butterfly proven in its absence? What not it this absence itself which proved the butterfly? That is what this specimen seemed to be trying to say. Those that saw it debated the specimen, with some calling it nothing more than a work made purely for self-satisfaction, and others suggesting that it called into question the very definition of a butterfly specimen.

There was a person who recreated a scene from a film in their specimen, but all that was in the box was wire, cotton, and the preserved skins of fruit — all arranged in the shape of a butterfly. The backdrop was a landscape make of twigs and leaves, and upon this backdrop the artificial butterfly danced. It is as if this butterfly is alive, some praised, but an equal number of others could only remark that they did not understand the creator’s purpose.

There was a person who made an artificial butterfly out of the wings of real butterflies. The box of this specimen was the largest in the exhibition. The wings used were from four types of butterfly, native only to a certain area, and after being removed from their respective bodies the wings were pasted together so that they formed the shape of an entirely different butterfly — a butterfly that did not exist anywhere.

[202]

Is not a butterfly specimen made for the purpose of decoratively displaying a butterfly? Then, must not the butterfly on display be an actual butterfly?

But when the real butterflies used in this specimen became material for the false one, did they not serve a purpose in allowing us rediscover what exactly a butterfly is?

There were several of these various butterfly specimens, and they made waves which spread out both among those who created specimens and those who viewed them.

The next exhibition and the next —
The next and the next and the next —
Over and over and over again butterfly specimens like these were made.

Those that were impressed by the butterfly specimen in the glass box made specimens with larger glass boxes, specimens in glass dodecahedrons, in spherical glass tanks, in picture frames, in cardboard boxes, in boxes of paulownia wood, of wisteria vine, of charcoal, among many other types and materials. The types of butterflies in these boxes were also varied: pieris rapae, papilionae, nymphalidae, minois dryas, danainae, libythea celtis, lycaenidae, and others. There were precious butterflies, rare butterflies, common butterflies, butterflies of no consequence, butterflies that were actually moths.

[203]

Then there were the pins — there were pins made of gold, made of silver, made of copper, onyx, ruby, jade, amber, iron, wood. As for the poisons made to kill the butterflies, some used ethyl acetate, others used soapy water, saltwater, or various medicines no one knows or cares to know — medicines to freeze things for eternity, to make them forget rot, to simply cause them to sleep — several different medicines.

Over and over again and again butterfly specimens like these were made.

No longer could you simply capture a butterfly from your garden and put it in a box — no one would give it the benefit of a glance. The same issue plagued these creators. For whom should butterfly specimens be made? What is it that makes an excellent specimen? So they wondered and talked among themselves.

One day, someone pointed at them and yelled, “But are these really butterfly specimens!?”

There were those who agreed and those who disagreed with this detractor.

Are not these manifestations naught but specimens of butterfly specimens? Are not these creations worthless garbage to which we can only affix the name of butterfly specimen? But do not we make these specimens, because of our love of butterflies? Are you sure you are not mistaking love for the desire to stand out? Are you not only using the medium of butterfly specimen to satisfy your desire to present, to in someway fulfill and audience? Are not these but borrowed things, fake things to which you have only affixed the name of butterfly specimen!?

[204]

Are what you are producing, really butterfly specimens?

All you are producing is an expendable item, not a butterfly specimen but a fake.

Everyone denied these statements.

Everyone agreed with these statements.

Everyone, while having these arguments, kept making butterfly specimens.

However…

*

“They discussed nothing of what was most important,” Marisa said softly.

“What was most… important?”

“No one realized, even though it was such a simple thing.”

The clicking and clacking of the gears from the machine echoed in the room.

“The butterflies were, as they were always — dead.”

[205]

“Butterflies…”

“Every time a specimen is prepared, a butterfly dies. Countless numbers of them die for this purpose. No matter how you might try to dress up the act, the fact remains: they were decorating butterfly corpses — and were oblivious it.”

“Butterfly… corpses…”

“This world is in an exhibition, and we are all nothing but butterfly specimens in our boxes. Yes, we are nameless, and yet are nothing but our names. We are nothing but butterflies.”

Marisa laughed quietly.

“Still, we point our fingers at others’ butterfly corpses and say that they are different from the butterflies we are. But corpses are corpses, nothing more. No one talks about this, for the exhibition is a city, and the city is a morgue. There is no meaning in ‘us’ being ourselves. No matter how we celebrate, no matter how we grieve, we are all long dead in our glass boxes — nothing more.”

“Dead…”

“Are you digesting my words as you repeat them back at me? Is that the only reason you have come here, to echo me?” She pointed straight at me.

Everyone who was sitting down was… No, no one was sitting down. There was only a table, Marisa, and the machine — and several hemispheres hanging from the ceiling. From those, several human bodies were growing. Naked men, naked women — they had no hair, and the lower halves of their bodies were buried in the hemispheres. Click clack click, the machine was groaning. The lighting formed a spiral as it illuminated the room. Half-spheres, there were a countless number of them hanging from the ceiling. Half-spheres with people planted into them, and the skin of all of these things was mottled with blackened spots, everywhere, the edges of these spots were swelled up, like a bruise just beginning to heal. They were countless shallow holes. They were all over the bodies. Click clack click, the machine was groaning.

“Tell me, you. Why are you here? No, rather — What is your name?”

“I…”

Who am I?

My name…

What is my name?

“I don’t understand my girlfriend.”

My lips moved all on their own.

[207]

“I see. What is your girlfriend’s name?”

“Maribel Hearn.”

“I see. So then, what is your name?”

“I don’t understand my girlfriend.”

“I see. So tell me, where are you from?”

“Lately, it feels like she’s been cold… keeping her distance from me. I wonder when it started… It was her friend. It was once she started hanging out with her friend Usami Renko, and…”

“I see. So tell me, what are you studying at the university?”

“I think she said something about going to… Torifune, or something like that. Afterwards, she was hospitalized, taken to a sanatorium in Shinshuu. After she got out… every since it feels like she’s been keeping her distance from me. Even when I went to see her, while she was hospitalized, her eyes they were… It felt like she was distant from me.”

“I see — and your girlfriend’s name is?”

“Maribel Hearn.”

“I see — and your name is?”

“I don’t understand my girlfriend.”

“I see — and where are you from?”

[208]

“Lately, it feels like she’s been cold… keeping her distance from me. I wonder when it started… It was her friend. It was once she started hanging out with her friend Usami Renko, and…”

“I see — and what are you studying at the university?”

“I think she said something about going to… Torifune, or something like that. Afterwards, she was hospitalized, taken to a sanatorium in Shinshuu. After she got out… every since it feels like she’s been keeping her distance from me. Even when I went to see her, while she was hospitalized, her eyes they were… It felt like she was distant from me.”

“I see — and your girlfriend’s name is?”

“Maribel Hearn.”

“I see — and your name is?”

“I don’t understand my girlfriend.”

“I see — and where are you from?”

“Lately, it feels like she’s been cold… keeping her distance from me. I wonder when it started… It was her friend. It was once she started hanging out with her friend Usami Renko, and…”

“I see — and what are you studying at the university?”

“I think she said something about going to… Torifune, or something like that. Afterwards, she was hospitalized, taken to a sanatorium in Shinshuu. After she got out… every since it feels like she’s been keeping her distance from me. Even when I went to see her, while she was hospitalized, her eyes they were… It felt like she was distant from me.”

[209]

“Maribel Hearn.”

“I see — and your name is?”

“I don’t understand my girlfriend.”

“I see — and where are you from?”

“Lately, it feels like she’s been cold… keeping her distance from me. I wonder when it started… It was her friend. It was once she started hanging out with her friend Usami Renko, and…”

“I see — and what are you studying at the university?”

“I think she said something about going to… Torifune, or something like that. Afterwards, she was hospitalized, taken to a sanatorium in Shinshuu. After she got out… every since it feels like she’s been keeping her distance from me. Even when I went to see her, while she was hospitalized, her eyes they were… It felt like she was distant from me.”

“I see, I see, I see. So that is all you have, and that is all you are. After all, right now you need nothing more. Now tell me, what did you come here to do?”

“I want to lose ambiguity. It was suggested to me that the reason things aren’t going well with me and my girlfriend, the reason we aren’t having sex, the reason things aren’t going well at work, the reason for all of that is because reality has lost its ambiguity. That’s right. It’s not my fault. It’s just that the world is not fitting into me. I’m sure it’s because something is wrong with it.”

[210]

“Yes, you are right. The world as it is now is wrong. It should embrace the other side of the boundary, become more fuzzy.” Marisa chuckled.

“It is right for us to be the hundredth monkey. This should be the start of it all.”

“The starting point.”

I could hear squirming and grating sounds from the hemispheres hanging from the ceiling above.

“Before our thousand souls are sacrificed to Izanagi’s curse, we must escape from this world. Let us flip the road leading down to the netherworld, so we may decide on who really should be crucified.”

I could hear squirming and grating sounds from the hemispheres hanging from the ceiling above.

“Let me tell you — I mean ‘you’, just exactly what the fantasy meltdown really was.”

***

[211]

Let me tell you a story.

Once upon a time, there were two families, of sheep and of goats, and they both lived together in harmony, united in their faith in God. However, one day snow fell upon the world — not just any snow, in fact it wasn’t snow at all, but fragments of the Devil’s mirror, a frightening object which distorts everything it reflects in the most ugly form imaginable.

Some of those fragments made their way into the eyes of the goat family, and from that day forward, they changed. It was as if their hearts had frozen, and the biggest change of all was that they no longer believed in the miracles of God.

The family of sheep thought to themselves, “If only our brothers and sisters were to witness one of God’s miracles, surely they would find their faith again,” and so they met the goats. “Let us not eat for a week,” they proposed. “It will be alright. God saves those who believe in His miracles. If God performs His miracles and we are saved, please believe in Him once more.”

[212]

“What will you do if God does not perform a miracle?” the goats asked.

“In that case we will leave, and this home will be yours,” the sheep replied.

The goats decided to go along with this bet, but in the end, God’s miracles came only for those who believed in Him.

The goats accused the sheep of cheating, of hiding food. They claimed the wellness of the sheep only proved they themselves lacked faith in God, and not that God had performed miracles.

The sheep and goats argued, and in the end it was decided that the trial would be redone with stricter rules.

“Board this empty ship,” the goats proposed. “Let us send you out to sea. If after a month you return, kept alive by the power of God’s miracles, we will believe anything you have to say.”

[213]

And so, the sheep set out to sea, but God performed no miracle for them.

And why should He?

While God may have kept the sheep in his thoughts, he was never thinking of them on their behalf.

Whether you believe in God or not, the probability a miracle will occur is within the bounds of statistical error.

So the family of sheep began to die off, one after another until just one of the daughters remained. It was then that she realized she had been tricked by the goats.

Oh, by the way, a fragment of the devil’s mirror had found its way into her heart as well.

[214]

When did that happen, you ask? It must have happened the moment she became one and alone.

As she was rocked back and forth by the waves, she cursed the goats at the home they lived in.

On the boat she drew a picture, a picture of all of her family who had died on this ship with her.

Ah, this ship was God’s true miracle.

One night, as the full moon lay reflected on the waters, the daughter thought to herself as she gazed upon it.

“This must be God’s miracle. In this moon, is a world where everything finds salvation.”

She had been alone so long you see, she had started to lose her mind. She jumped off the ship and into the full moon reflected in the sea. As she sunk to the bottom, her body shattered into countless pieces. The Devil’s mirror fragment had entered into her heart, and had made her like ice.

[215]

The fragments of her heart were ingested by fish in the sea, and one of these fish were caught by one of the goats, who served it for dinner. Now that the home of sheep and goats had become home only to goats, it was only those goats who ate the fish.

All of them, all of them, were covered in what was once the sheep daughter’s heart, and died.

After all, it was what was once a sheep’s heart.

But, it was what was once a sheep’s heart.

It was what was once a sheep’s heart, frozen by the Devil’s mirror.

What was once a home of sheep and goats, was now something else, something frozen.

Now this is a fairytale.

Obviously, not all of it is true — it’s a fairytale.

A couple plot holes here and there shouldn’t matter, don’t you think?

[216]

***

The GPS coordinates sent from Usami Renko’s handheld terminal put her location at a place about thirty minutes away from West Kyoto Station by train, with a few transfers in between. When Maribel Hearn got off the train at the local station she had a feeling that something was off about the place. The station platform was made of clear glass cubes, and inside those cubes were countless butterflies. It was as if the whole station was some sort of specimen display. The thin glass clicked and cracked loudly with every step as she walked across its surface.

But Merry focused her attention on the location — Renko’s location — displayed on her terminal screen, and kept walking. She knew this place was once known as a high-end residential district, and she knew that it was dead. Because it was dead, all of the buildings had become jars — large jars stuffed of jam. Inside were spiders and snakes pressed together and preserved in sugar.

Merry kept her focus on the path to Renko displayed on her terminal screen.

The boundaries were going to break. She wasn’t wrong when she thought that before. She still thought that, even now — but at the same time Merry no longer had a firm grasp on how the world was really supposed to be.

[217]

Everything that Merry could see, everything — everything was a mix of this side and the other. Not one thing was only of one side. She didn’t know why it was this way, and she didn’t know what started it happening. The only thing Merry was certain of was that Renko was caught up in it.

She had to hurry. It was that single thought that kept Merry going.

Under Merry’s feet, the tiles of the pavement were squirming, squirming in spirals of black and red, as if they were pieces of a jigsaw puzzle. She did not see any crows, and she did not see any other human being.

Alone, Merry ran.

Eventually, her route took her to a red, Western-style mansion. Merry had a feeling she had seen it before… in her dreams — somewhere, sometime in her dreams.

[218]

What did I do there then? Merry wondered.

She opened the iron gates covered in rust and vines, and they creaked loudly. It felt as if they could collapse at any moment. After crossing the front garden, she opened the front doors.

The inside of the mansion was completely empty. There were no rooms or windows. It was just a box — and in the very center of this box was a spiral staircase leading below. It was a long staircase, with no supporting pillar, a St. John’s Staircase. The location shown on Merry’s terminal was now marked by a bizarre geometrical pattern, a fractal, Sierpinski’s gasket, drawn in red and black. Eternity was within it. The icon of Renko’s location was was in the center of this eternally expanding gasket. Merry was sure Renko was down below and continued on her way to find her.

***

“You see there’s this thing called binaural beats, or Hemi-Sync.”

Kirisame Marisa smiled as she put a pair of headphones on over my head.

[219]

“When sound waves at two different frequencies are played in each ear, a third wave at the frequency of their difference is generated in the brain. It’s a beat wave that follows the interference pattern, so to speak. By adjusting these wavelengths, it becomes possible to induce a certain phenomenon.”

“Phenomenon…”

“It’s a way to get to the other side of the boundary. By releasing yourself from your current self, you become able to let go of ambiguity. By using these binaural beats, we can artificially force biolocation. Yes, we can destroy the boundary between your physical and emotional self.”

I heard a sound, a whirring sound.

“Then, you should be able to see it.”

It was the sound of the world breaking.

***

[220]

(A picture of a numbered #32 apartment building for factory workers)

A Box Named “Was”.

[221]

(A portion of a framed picture of the roots and seeds and leaves on the ground with a photographer silhouette pointed up, with forward and backward stop arrows printed on top of the silhouette. ↹ (U+21B9) or ⇤(U+21E4)+⇥(U+21E5))

Control 1

[222]

(A photograph of a cafe table laden with drinks and two people, various artifacts and books strewn about, with an eye symbol in the upper left and lower right corner.)

Tu m

[223]

(A glyph with 3 complete triangle-dress ‘woman’ symbols and two partials, so that the sum is 4 complete. The heads are removed from all of the symbols except one that has a box with a check mark in its place. It is the first complete from the left, second counting the first incomplete.)

Selection, Switching Heads

[224]

(A photograph of an egg in the dirt of a flowerbed.)

Dependence on a device which leads us outside is not what we call ‘love’.

[225]

(A roof and treeline silhouette, with the upper right corner blacked out with white ink blotches confusing which of the colors, black or white is negative and which is positive space.)

The stage is always leveled.

[226]

(A wide-angle photograph of an intersection, partially clouded but shining with a glaring sun.”

This intersection is not an controlled operation.

[227]

(A QR code which leads to the title’s theme song: Self Talking)

An Incident

[228]

(A symbol silhouette of a child holding a balloon. The head is replaced with a thumbs-up glyph.)

This balloon is not valued. What is valued is everything below the girls’ heads.

[229]

(Alphabet crackers spilled in a disorderly fashion across a tabletop.)

It is always everyone else who dies.

[230]

(Droplets falling in milk — but the droplets do not form the so-called ‘milk crown’.)

Your girl will not talk about the milk crown?

[231]

(Clip art of construction and demolition with houses, cranes, and sky rises.)

Intentional Labyrinth

[232]

(An extremely dim picture of someone (possibly Renko) sitting on the stairs, with a variety of checked boxes printed over it.)

Digestion of an Incident

[233]

(Glyphs of a headless person sitting on a couch with a remote pointed at a flat screen TV. In place of the head is written [B3 777 JPY+Tax] in a box. Hovering businessmen in suits hover over the TV.)

Control 2

[234]

(A photograph of a train’s suspension.)

The Sad Young Man in the Steam Train

[235]

(A dim photograph of a hallway tunnel, most likely underground. Part of the left is cordoned off with cones.)

(1) falling water,
(2) gas used for lighting,
Make it be that these were provided.

[236]

(A mute icon)

the Inevitability that it is ⇆ the Probability it is not

[237]

***

Merry descended the staircase — the St. John’s staircase.

It was a spiral of black and red. There were countless eyes embedded in the walls. The eyes of humans turned pictograms turning — turning, yes everything was turning.

Merry felt as if her brain was shifting, swaying back and forth.

“What is this?” she kept muttering to herself.

What has begun? What is going on? I don’t know, but I also feel like something is about to end.

How much further do I need to go down?

At this point, no longer could you discern up from down.

[238]

The display on Merry’s terminal was constant, except for the expanding fractal gasket. The more it expanded the more its surface area increased, but the volume was converging.

Was that how this thing was supposed to work?

Merry tried to remember her friend’s words, but in the midst of all these revolving eyes she could not remember the details.

She began to feel as if she would soon forget where she was, and even what she was.

But now she could hear a sound.

Ah, this is…

What opened before her was a parade.

There was ballet music.

[239]

There were sirens, typewriters, radio noise, pistols, a revolving lottery box, the sound of empty jars being hit, the sound of pipes being hit, a cacophonous mixture of everyday noises — noises that were not instruments. What the dancers were and the background was was unclear, ambiguous, a collage. In there was — in the midst of all of that was, a stage mechanism showing it all. Am I descending the stairs or are the stairs rising past me?

[240]

Merry continued to descend the stairs, in an automated fashion, when suddenly a door appeared in front of her. The door was set with gold chains, a silver lock and bronze doorknob.

On the door was written “23/17th Floor”.

Merry grabbed the doorknob and turned it. The lock came undone, and the surface of the chains was covered in an instant with a bluish black rust, before rotting away into ashes.

Merry opened the door. It was one that opened inward.

In front of her, past the door, were humans — humans who had lost their boundaries, humans with scabs, holes — humans with holes sprinkled over them like freckles, indentations.

[241]

Spheres — their heads were swollen, and all the details were wiped away. Growing — the hole-freckled humans were growing, half buried in the walls, lying on the floor, creating strange symbols. Humans — humans who had lost their boundaries, humans with their eyes and mouths interchanged, skin without features, shrivelled arms and legs unusually elongated.

[242]

Humans — humans who had lost their boundaries, they were overlapping, faces upon faces, their bodies like columbine petaals, their feet — their feet were like caterpillars all in a row.

Humans — humans who had lost their boundaries, what was it they wanted to become? Truly they wished to change the present, but in the end it is only a symbolic matter, and at this stage it is safe to say their worries were unnecessary. They did not matter. Their personalities have been deemed unnecessary. By whom? By the mechanism in the center of this room.

[243]

The mechanism was a cube that narrowed near the bottom, things like twisted telescopes stuck into it, a planetarium device. That is the way it looked.

However, it was supported with countless human torsos. On top of a table were girls’ bodies tied together with black and red threads, and on top of that the cube was set.

Beside it was a single hat — a black witch’s hat.

[244]

“Would you not say this to me now? Say to me that I, using obvious and blatant exaggerations have blasphemed not only you and your god but myself as well? Say to me that for this reason my duties have already been fulfilled?”

I could hear someone’s voice. It was the voice of the mechanism in front of me.

My brain is burning.

Inside the room a white centipede was crawling, a white centipede made out of countless combined human arms.

There was also a butterfly — a white butterfly made only of human eyes, and a spider — a spider made only of human legs.

These things distorted my depth perception as they marched in the gaps between humans.

[245]

The backs stood out the most, while limbs were thin and seemed far away. Heads and tales were so far away they were tinted blue from the air in between, while a part of the torsos seemed as if they were right before my eyes. The perspective of everything was off.

“Quiet! A funeral procession will now pass before you. Put your two knees to the ground and a song of mourning shall begin,” so the mechanism spoke.

“What are you?”

“Me? I am a witch, Ms. Ghost. Aren’t you tired of all these introductions by now? Really, there’s no need for me to repeat myself again! But there is meaning in such repetition. I am a witch, or a magic lantern projector. I am what was once Kirisame Marisa, and but calling myself Kirisame Marisa now, I am a mechanism for proving her absence.”

Convulsing, my brain was burning away.

“Well then, an incident has begun. We realized, the witch’s mechanism discovered, that we cannot let this incident end.”

[246]

“What… are you talking about?”

Convulsing, my brain was burning away.

“Where is… Renko…?”

“Oh, she’s here. Well somewhere around here. But Ms. Ghost, you are the ghost of this story, you know? Even if the person you seek was right here beside you now, nothing could change — not for all eternity.”

“What are you…?”

“What am I what? What am I talking about, you ask? I’m just explaining the current situation to you — nothing more, nothing less.”

Convulsing, my brain was burning away.

Something was rubbing against my feet.

“Anyway, soon the other side of the boundary should make a compound connection with this one. That’s part of the process.”

It was a spindle shaped clump of flesh. In its center was a circular rip, probably a mouth. Out from it came a long thing tongue-like thing. It licked Merry’s feet. The very instant this happened the surface of that clump of flesh begame covered in a reddish purple celluloid, and as if it were rotting it bubbled up, releasing a cloud of gas as it melted away.

[247]

“Lick the skin of a criminal, and you melt away and die.”

The mechanism turned, clicking and clacking.

Convulsing, my brain was burning away.

Burning, my brain was burning, my brain was…

***

When Maribel Hearn opened her eyes, she found that she was lying on a bed, dead.

Nothing could have been done.

Her brain was broken and no longer useful.

Nothing could have been done.

She was dead, and so she could not move.

She could only stare lazily up at the ceiling.

The ceiling — it was a familiar ceiling.

[248]

“Today with Merry, I “In other words, Izanami loved “Orpheus’s mirror shattered “The completion of Izanagi’s curse “St. Anthony’s fire “Today with Merry, I “A scarlet mansion and bamboo forest “Today with Merry, I “She did not understand the weight behind that playful kiss “Love “Do not love me “Today with Merry, I “It’s nothing “Even though I knew the truth “Temple Ruins “There is a 74 percent chance of rain “If we’re going to kill a thousand, then let us save a thousand five hundred “However, there is no chance we will say you can excuse yourself from the thousand “Kill meaninglessly, meaninglessly let live “Love “Don’t look at me with those eyes “Today with Merry, I

“Turn the grave “The meaning of turning the grave “Turn the grave “The meaning of you turning it

[249]

“Today with Merry, I “In other words, Izanami loved “Orpheus’s mirror shattered “The completion of Izanagi’s curse “St. Anthony’s fire “Today with Merry, I “A scarlet mansion and bamboo forest “Today with Merry, I “She did not understand the weight behind that playful kiss “Love “Do not love me “Today with Merry, I “It’s nothing “Even though I knew the truth “Temple Ruins “There is a 74 percent chance of rain “If we’re going to kill a thousand, then let us save a thousand five hundred “However, there is no chance we will say you can excuse yourself from the thousand “Kill meaninglessly, meaninglessly let live “Love “Don’t look at me with those eyes “Today with Merry, I

[250]

The ceiling was covered in paper clippings.

“Merry…”

I heard a voice.

Ah… It’s Renko.

My friend was on top of the bed with me.

She only had half of her face. The other half seemed to have broken away, and there were countless gears packed in its place.

[251]

With all of them packed together like that, there is no way they would be able to turn properly.

As I thought, with every movement, gears fell out of her face.

But at the same time, I thought that it was very fitting for Renko to be that way. I felt that it was cute.

“Merry…”

I heard her voice.

Renko peeled off each article of my clothing, one by one. There was nothing I could do. As my clothes with attached with paste, peeling them off required a cat. The cat was omnipotent — omnipotent, as you could put it in a mixer, blend it up and drink it.”

“Merry…”

I had become completely naked.

Renko too, was naked.

While massaging my breasts, she licked my armpits, nipples and then my bellybutton in sequence. She ran her tongue all over my body. She was so meticulous that I had to wonder if there was any part of my body she had not made wet.

She then proceeded to mount my wet thigh and rub her crotch against me.

[252]

Some fluid was dripping out, probably warm. Unfortunately, as I am dead, I could not sense the temperature of anything. After a while she twitched a bit, her back muscles tense, and after that she opened my legs.

There was my vagina.

I couldn’t see it, but all signs seemed to suggest that there were countless arms extending out of it. They ripped Renko’s broken face from her. I thought that was unfortunate. They ripped and discarded each bit, until there was almost nothing but a flat featureless outline of a face.

All that remained was countless small pieces of glass embedded in her face’s flesh, piercing it.

Despite the way everything seemed, I felt that, tangled up in these sticky body fluids on top of my own flesh she was forcing herself to stop.

She was shivering.

With no other choice, I ripped my own face from my body and put it on to her.

***

“This is what the world calls double suicide

“Come, let us search for fantasy together

“I have no choice but to eat your flesh

“Ah, please forgive me for I am about to die

[254]

“Come, let us explore the boundaries together

“I love you

“Please, do not let go my hand!

“It’s your fault, because you threw me away

“Due to an error, the system will restart

“Tktntktntktntktntktn

“Come, let us go on an adventure together

“Turn back time! We’re going back!”

“Come “Together “Depart “Together “Come

“Let us begin

[256]

END OF CHAPTER 3

Dead! (クソ和訳)

真に受けたら負けだ。

Dead!
My Chemical Romance

Yeah!

イエーイ!

And if your heart stops beating
I’ll be here wondering
Did you get what you deserve?
The ending of your life
And if you get to heaven
I’ll be here waiting, babe
Did you get what you deserve?
The end, and if your life won’t wait
Then your heart can’t take this

で、お前の心臓が止まったら
おらここで思ってるわ
ざまあみろってとこかな?って
人生の最期だ
天国に行けたら
ここで待ってるわ
ざまあみろってとこかな?
おしまい、そりゃお前の人生が待てないなら
心臓のほうは耐えられるわけないじゃん

Have you heard the news that you’re dead?
No one ever had much nice to say
I think they never liked you anyway
Oh, take me from the hospital bed
Wouldn’t it be grand? It ain’t exactly what you planned.
And wouldn’t it be great if we were dead?
Oh, dead.

ってお前死んでるって聞いてた?
お前のことをいい奴という人いないって
まあ、始めっから嫌われた感じじゃね?
ああ、この病院ベッドから連れてってくれ
それなら素晴らしい、お前の予定とは違うけどね!
ああ、俺ら死んだらもう素敵じゃね?
死んでたらね

Tongue-tied and, oh, so squeamish
You never fell in love
Did you get what you deserve?
The ending of your life
And if you get to heaven
I’ll be here waiting, babe
Did you get what you deserve?
The end, and if your life won’t wait
Then your heart can’t take this

言葉が出ないし、なんだかんだ動けなかったお前
愛を知らなかったんだね
ざまあみろってとこかな?違う?
人生の最期だ
天国に行けたら
ここで待ってるわ
ざまあみろってとこかな?
おしまい、そりゃお前の人生が待てないなら
心臓のほうは耐えられるわけないじゃん

Have you heard the news that you’re dead?
No one ever had much nice to say
I think they never liked you anyway
Oh, take me from the hospital bed
Wouldn’t it be grand to take a pistol by the hand?
And wouldn’t it be great if we were dead?

ってお前死んでるって聞いてた?
お前のことをいい奴という人いないって
まあ、始めっから嫌われた感じじゃね?
ああ、この病院ベッドから連れてってくれ
銃を持っていたらよかったけどね!
ああ、俺ら死んだらもう素敵じゃね?
死んでたらね

And in my honest observation
During this operation
Found a complication in your heart
So long,
‘Cause now you’ve got (now you’ve got)
Maybe just two weeks to live
Is that the most the both of you can give?

で、正直言うとね
手術中でね
心臓に合併症が見つかったのよ!
残念!
せいぜい二週間ぐらい?
人生の残りは
それだけかよ!?怠けてんじゃねよ!

One, two, one, two, three, four!

ひふひふみよん~!

La, la, la, la, la!
La, la, la, la, la, la!
La, la, la, la, la, la, la!
Well come on,
La, la, la, la, la!
La, la, la, la, la, la!
La, la, la, la, la, la, la!
Oh, motherfucker,

ラララララ!
ララララララ!
ラララララララ!
ってもっと高く!
ラララララ!
ララララララ!
ラララララララ!
くっそタレが!

If life ain’t just a joke (la, la, la, la, la!)
Then why are we laughing? (la, la, la, la, la, la!)
If life ain’t just a joke (la, la, la, la, la, la, la!)
Then why are we laughing?
If life ain’t just a joke (la, la, la, la, la!)
Then why are we laughing? (la, la, la, la, la, la!)
If life ain’t just a joke (la, la, la, la, la, la, la!)
Then why am I dead?
Dead!

人生が冗談じゃねーってんなら ラララララ!
なんで俺ら笑ってんよ!?  ララララララ!
人生が冗談じゃねーってんなら ラララララララ!
なんで俺ら笑ってんよ!?
人生が冗談じゃねーってんなら ラララララ!
なんで俺ら笑ってんよ!?  ララララララ!
人生が冗談じゃねーってんなら ラララララララ!
なんでおら死んでるのよ!?
死んでる!!

Comedic Mechanism: Parade of the Jane Does (190/291)

I reserve the right to remove this translation without warning.

Progress:
[15/291]
[35/291]
[56/291]
[73/291]
[93/291]
[124/291]
[135/291]
[156/291]
[177/291]
[190/291]

This an experiment.

Thus concludes Chapter 2.

Chapter 3 is next and involves Kirisame Marisa.

ICQ.

If you would like to see more, please donate. [PayPal]

Translation Notes:

Comedic Mechanism: Parade of the Jane Does

[5]

Table of Contents

Chapter 1: A Night of Unpleasant Rain – 7
Chapter 2: March of the Saints – 95
Chapter 3: An Unbearable Existence in Suffering – 191
Chapter 4: An Emptiness Devoid of Color Contrast – 257

[15/291]
[35/291]
[56/291]
[73/291]
[93/291]
[124/291]
[135/291]
[156/291]
[177/291]

[177]

The planetarium was about thirty minutes away from West Kyoto Station by train, with a few transfers in between. The nearest station off a local line brought us to the middle of a former — emphasis on former — high income residential district. It was like a graveyard of buildings now, those buildings magnificent only in their outward appearance. We left the all but abandoned station, and I only followed along as my girlfriend guided me on. I looked at my watch. It was 10:12 am.

“Hey…”

“What is it, Renko?”

“Are they really open this early?”

“What do you mean early? It’s not early at all! How late do you normally sleep in?” she laughed.

[178]

But…

I felt that one word caught in my throat.

As I looked around, I saw no one. No sign of anyone at all. It was as if the whole area was asleep. No — I knew. I already knew that this place had been abandoned long before, but… It was beyond that. It was as if I had walked into some ancient ruins. At the very least, we shouldn’t be the only ones here, but we haven’t passed anyone on the street. Was there anyone at the station? There weren’t any employees at least. Everything is automated nowadays, so it’s natural for a station only visited by local trains to have no personnel — you just touch your magnetic ticket card against the ticket gate and walk through — but what about the line of shops in front of the station? Were there any bikes in the parking area at the station? No — I’m focusing on the wrong thing. There’s something more fundamental that I’m missing. It’s…

“Is there something wrong, Renko?”

“Uh… Well…”

“Hey Renko, have you heard of this story before? The one about the town of sheep and goats?” She spun around and looked at me with a carefree smile.

Behind her, the rays of sunlight burned away her details. Her figure was burned black, light collapsing clouds in the evening light as the sun sets. Her thin arms, thin legs, thin neck, and head like the tip of a spindle — even her outline was indistinct.

“Long ago, there was a town where forty thousand sheep and forty thousand goats lived together in harmony. However, one day, one sheep and one goat got into an argument. You see, according to oral tradition, there was a god who oversaw the town. One of the two questioned whether that god really existed.”

[179]

“What…? What are you talking about?”

“I told you before, didn’t I? This is one of those stories that may be scary or not, depending on the listener. This is one of the newer stories. Anyway… The sheep and the goats discussed the matter among themselves. All the sheep believed in their god, and the power of the miracles that god was said to perform. On the other hand, none of the goats believed in this god. They believed all that was claimed to be a miracle was just pure coincidence. In the end, the sheep and the goats collectively decided to make a bet over whether a miracle would occur or not.”

She was running away from me, like a mirage, spinning all the while, and all I could do was follow.

I looked down at the white paved street and the organized rectangular buildings, all absent of people, and my perception felt unhinged. How long had we been walking? How many hours, how many tens of hours had passed? In reality, it was likely not a minute had gone by and yet I felt as if I was being led on a leash, with no other option but to chase after her. Only her voice was still as clear as it ever was.

[180]

“To test the power of their god’s miracles, they would all pray, without eating or drinking. Would by miraculous providence they obtain apples to eat, without doing anything to harvest them? Would their god bless them with such a miracle? That was the gamble upon which the sheep and goats placed their bets. Tell me, Renko. What do you think happened next?”

Sweat seeped from my pores and it felt as if my skin was coming off in sheets as the sweat dripped its way down.

“As it turns out, a few more of the sheep survived the ordeal than did the goats. How many more do you think it was? Out of forty thousand goats, thirty thousand died. But out of the forty thousand sheep, those sheep who professed faith in their god, only twenty nine thousand and eighty-four of them died. Therefore, the remaining sheep proclaimed, ‘God, our God, only blesses those who believe in him and his miracles. You, in your ignorance, doubted God. That is why a full thirty thousand of you died.'”

Deep in my throat I felt a rough texture along with the taste of salt. Rather than just sweat, it felt as if my whole body was turning into a pillar of salt.

“So the remaining goats left the town and only sheep remained — only those sheep who sincerely believed in their god. However, those sheep thought this: ‘If we do not more firmly believe in God, might not we too die like those ignorant goats?’ So they kept praying, without taking time to eat, without taking time to do anything else at all, and one by one the sheep began to fall to the ground dead. As each fell, the remaining sheep proclaimed, ‘They must not have truly believed in God. That is why God did not save them with his miracles.’ Thus the sheep continued to die, one after another, until only ten of them were left alive. What do you think those remaining sheep did?”

Even her voice was heavily distorted now. It was tinged with a howling sound, as if someone had put a microphone next to a speaker.

“All of them leapt into a lake and died. Why do you think they did that?”

Desperately I pressed both of my hand against my head in an attempt to steady the vibrations of my skull, wrought by her voice as it rang in my head. What is going on? What is happening?

“Finally they realized that in end, despite being the ones who believed in their god, far fewer of the sheep had survived than the goats. In response, those remaining sheep tried to put faith in their god once more, and all jumped in the lake. Renko?”

We’re here.

I felt as if my vision had suddenly cleared. We were standing in front of a single old western-style mansion.

Led by the hand, I followed her inside.

We passed through the doorway and it was empty inside. From the outside it looked like a mansion, but inside there were no rooms, the mansion was only a shell.

[182]

In the very center was a single planetarium mechanism. Its twisted tubes were blossoming like a rose. Yes, the planetarium was blossoming. The walls were covered with bulbs that looked like cut off tips of spindles. There were no chairs, anywhere. Were we supposed to stand for this, or…?

“Renko, this way.”

I was led to a single, cheap looking bed.

My girlfriend sat on the bed and wrapped herself in the comforter, so that only her head was showing, and then motioned for me to follow suit.

I didn’t really have a choice, so with uneasy footing I went after her, and sat down on the bed. The bed gave a rusty screech and I could feel the springs of the mattress digging into my butt.

Then, without me putting up any resistance, she pulled me down and got on top of me.

“Hey…”

“What?”

“Is it you?” I asked from underneath her, staring straight up into her faintly colored irises.

[183]

“What ‘it’ do you think I am, Renko?”

“Are you ICQ?”

She laughed a little.

“Renko, call me by my name,” she responded, without answering my question.

“C’mon Renko, won’t you call me by my name?” she said again, reaching out to touch my cheek.

“Please Renko, call me by my name. Look at me and call me by my name, please?”

What was there was…

Once, long ago, I heard this story. Somewhere in West Kyoto there is a bridge, and on that bridge there was this girl, crying. People would call out to her, asking, “Are you okay? Why are you crying?” Then, she would turn around, but her face was featureless. All that could be seen of her face was white skin. She had no mouth, no nose, no eyes. There was only the outline of a smooth empty face, like…

“Tell me, Renko. Who am I? Why was I me? Renko, please. Call me by my name. Where did my face go?”

[184]

Renko could do nothing but stare up at that blank face.

The witch named Alice said to that girl: “This faceless doll is your true wish. You want the faces of everything to die and be gone. You desire all to become as you are. That is your wish, your hope. People say that a conclusion overflowing with hope is wonderful. So you should wish for the best conclusion you may have. Go to the place where your hope is fulfilled. Go to the place you so begged and wished for.”

“You see… Really, I…”

With a snap, a crack ran across her face.

Renko’s cheeks and nose were showered by fragments of the girl’s ruptured celluloid face. What Renko could see through the crack was like countless frog’s eggs. The black innards were festering with greenish tint. Her innards were and had long been rotting away, like caterpillars which had failed in their metamorphosis. Since she had been wanted by no one, she was no longer herself.

“Renko, really… I wanted you too look at me. I wanted you to love me.”

[185]

Renko reached up to touch the her cheek, but the girl weakly slapped her hand away, and it fell lightly back on the bed.

“But you see… I don’t have a name. From the very beginning, for that purpose I was here, and so I am not loved by anyone. Logically speaking, there is a single perfect possibility for happiness on earth, and that is to believe in the indestructible parts of oneself but not try to reach them.”

Her voice became less distinct, layering on top of itself.

With the clicking of gears the planetarium mechanism began to turn.

A pure white world. A view devoid of anything. Within that a single false star began to smear itself blackly.

The moon.

Renko’s eyes flicked about.

By seeing the moon and the stars she could tell the time and where she was.

So then, what place and time would these fake sky tell her?

Renko felt as if something was being burned into her brain.

A ringtone rang through the air.

[186]

It was Renko’s handheld terminal. She reached for it subconsciously, tapping its surface to receive the call before bringing it to her ear.

“Hello?”

“Renko?” replied the voice from call. It was her.

“That Fantasy Release Movement… Do you know where its current headquarters are?”

“Why?”

“Please, tell me. I cannot be 100% sure, but… the boundaries are broken.”

“Yeah, I know.”

“Huh?”

“This world is probably done for.”

“Renko?”

“GPS.”

“What?”

“I’ve left the GPS on my terminal on. Just come here.”

[187]

“Ren…ko?”

“I’m pretty sure that right here, the world is going to end.”

“What are y-”

The nameless girl grabbed the terminal from Renko and threw it away from the bed.

“I realized the answer to the question, ‘How can I become eternal?'”

“Yeah.”

“I’m sure that the answer was clear from the very beginning, that I would live inside of you, Renko. As long as you continue to be you, ‘I’ can continue to exist. You see, you are ‘my’ signature.”

“I see.”

Renko reached up towards the girl’s face and ripped it open left and right as if she were opening a sliding door. What peered out from inside was a single doll.

The doll was bound by threads of white sticky flesh. It had a black hat, a red tie, white shirt and black skirt (A type, or a single video term). It was a doll of Usami Renko.

[188]

“So you were me.”

“No — This is my signature.”

A bell rang, like that of an alarm clock.

This was the end of an act. It was time for the curtains to fall.

In the next instant the bomb, formed into the shape of that doll, exploded.

With a splattering sound, half of Renko’s face was showered by bits of flesh and bone from that nameless girl. Slowly the rest of her collapsed, unfolding into four pieces out from her core, like a blossoming flower. While they were crumbling the remains of her ribs and spine and flesh barely held this flower-like form together.

Renko could see the moon and the stars, but it was only a pattern. In that ceiling were countless gears and clocks melting into one another. That which connected the melting clocks and gears looked exactly like human eyes. Click clack tick tock tick. The gears were turning, and all the clock hands were awry. They all pointed to a single time, to seventeen. To only the number seventeen on each of their clock faces.

The pieces of flesh plastered to Renko’s face began to collapse, burning as they went.

“Who are you?” Renko asked, just above a whisper.

[189]

“I am a witch — or, you might say, an empty stage mechanism.”

Thus answered the human planetarium.

Renko could see, here and there parts of a girl.

She must be inside the belly of the witch, Renko thought.

“I’ve been called Alice Margatroid.”

“I see.”

“But what about you? Tell me, who are you?”

Renko silently closed her eyes.

“I don’t know.”

(END OF CHAPTER 2)

Comedic Mechanism: Parade of the Jane Does (177/291)

I reserve the right to remove this translation without warning.

Progress:
[15/291]
[35/291]
[56/291]
[73/291]
[93/291]
[124/291]
[135/291]
[156/291]
[177/291]

This an experiment.

You may recognize the dialogue from Chapter 1.

There is only one scene left in Chapter 2.

Meta. Meta. Meta.

If you would like to see more, please donate. [PayPal]

Translation Notes:
[172] An agalmatophiliac is someone who is sexually attracted to dolls or statues. Pygmalion is an often cited example, and Pygmalionism marks a subset of falling in love with one’s own creation.

Comedic Mechanism: Parade of the Jane Does

[5]

Table of Contents

Chapter 1: A Night of Unpleasant Rain – 7
Chapter 2: March of the Saints – 95
Chapter 3: An Unbearable Existence in Suffering – 191
Chapter 4: An Emptiness Devoid of Color Contrast – 257

[15/291]
[35/291]
[56/291]
[73/291]
[93/291]
[124/291]
[135/291]
[156/291]

[156]

It was already past two in the morning, but Renko couldn’t sleep — not after what she had seen when she shared Merry’s vision.

“Those grainy images in her vision…” Renko muttered to herself, “I know what they are.”

[157]

In an attempt to crush her unyielding consciousness, Renko grabbed an open can of beer she had left on the table, finishing it in a single gulp. The beer had been left out so long it had acclimated to the temperature of the room, and all she could taste of its lukewarm flavor as it flowed down her throat was a faint bitterness.

With only a shirt on over her panties, Renko reached again towards the table — this time for her vaporizer. She brought it to her lips and activated it, the nicotine burning in her throat as she inhaled. Mixed in with the feelings of intoxication came a severe spell of dizziness.

I wonder if the paper cigarettes they used to smoke were anything like this?

Because the nicotine directly stimulated her brain, with each successive inhalation she felt more and more nauseous, as if she were drowning herself in cheap drinks.

If it made her feel this way, then why was she still vaping? Even if Renko were to try to answer that question, she couldn’t.

But that was not all to blame for this current state of miserable drunkenness.

The image flashed again in her mind. Turning.

There were four lines of sight sectioned off in that vision. In one of those was…

“Anémic Cinéma,” Renko muttered to herself.

Why was it there, beyond what Merry saw?

[158]

Renko picked up the tablet she had left on the table, and traced her finger across its surface. After playing a sound as it booted up, several icons were displayed on the screen. Renko tapped one of those icons, a shortcut to a free video sharing site. Renko put her wrist in front of an external vein identification device that was connected to the tablet, logging her into the site and bringing up her personal page. She opened up her favorites list, and tapped on a folder labeled “ICQ”.

Several bombing incidents had taken place in and around the West Kyoto Metropolitan Area, and this folder contained a list of all of the videos uploaded by the bomber prior to acting. The majority — more specifically, all but the most recent video — were deleted by the uploader themselves, and at the moment none of the videos in Renko’s list were accessible.

“Baths in coarse tea for beauty marks without too much Bengay,” Renko whispered softly.

Those were the words shown in the first video released by the bomber.

[159]

“The child who suckles is a hot-flesh blower and doesn’t like hot-house cauliflower.”

Those were the words from the second video.

The television newscasters and commentators were unable to grasp these words’ meaning, and questioned whether the words had any meaning at all. Most had come to the conclusion that this was the work of a madman.

If only they would do a little research… Renko thought. Then, they’d be able to figure out that those videos are a parody of the experimental films made by Marcel Duchamp. They even seen to be using the original footage of the videos in their edits, though they seem to be using a completely different audio track.

Renko counted the number of incidents — there were five so far, and the fifth video had already been taken down. If the bomber was really basing their actions off of “Anémic Cinéma”, there would be four more bombings before they were done.

It was the fifth video that Renko had seen playing in Merry’s vision. Was it because their shared vision was mixed with things that Renko had already seen? Or was what Renko saw in Merry’s vision something beyond the boundary? If that was the case, then these bombing incidents must be…

“Looks like you’re involved in some pretty dangerous stuff, Fantasy Release Movement.”

[160]

These incidents are effectively acts of terrorism, but I’m sure they plan on framing them as acts of resistance against the current state of imbalance. At the very least they don’t seem to be making a fuss about the incidents on their social networking sites. What does stand out though, is the fact that no one is mentioning Duchamp’s name — so much that it seems to be coordinated silence.

“Don’t you think it’s a little too soon for his work to be forgotten?” Renko said with a sarcastic smirk.

As for the locations of the bombings, Renko had several theories, but…

She had a feeling she knew — even where the next incident would occur.

Renko recalled a scene in her memory: of that planner with the red and blue stamps — of those blue stamps filling up her calendar.

“It can’t be her, right…?”

[161]

Suddenly, the handheld terminal Renko had left charging vibrated. When she picked it up she saw her friend’s name. After clicking the ‘receive call’ button, she brought the terminal to her ear.

“Merry?”

“Good evening, Renko.”

To Renko, it sounded like Merry’s voice was shaking a little on the other end.

“Don’t you think it’s a little late for ‘good evening’?”

“You’re right. I’m sorry.”

“Don’t worry about it. I couldn’t sleep either.”

“What makes you think I couldn’t sleep?”

“Isn’t it normal to think that when you get a call at this time of night?”

“Well isn’t that something? You, talking about what’s normal.”

“Well statistically speaking, the median status of someone who calls at this time of night with the voice of someone who has clearly been crying is that of insomnia, as several studies on this subject confirm.”

“Where do you find this kind of information?”

“What, you don’t know? There was a paper published about it at the 2034, uh, Human Engineering something something Conference.”

[162]

“You’re making that up, aren’t you?”

“No, no. It’s just that it’s late and so I need a buffer to trace back over my memories properly… probably.”

“You need to qualify that with ‘probably’, even though you’re talking about yourself?”

“What we know least about is ourselves. Talking about the animals we call ‘humans’ as a whole I mean.”

“I agree.”

“Well isn’t that unusual, coming from you?”

There was silence on the other end.

“So, what’s the matter then?” Renko continued.

“Well… I’m just a little emotionally unstable right now, I think.”

“I see. Well, I guess that’s often the case with sleepless nights.”

“I guess so…”

“Are you having trouble with your boyfriend?”

“…We’re not having sex.”

“Come again?”

“I mean, it’s been months now since the last time we did it.”

“So does this mean you’re ‘sexless’?”

[163]

“I… think so. Probably…”

“You don’t like it?”

“I don’t think it’s that, it’s just…”

“Just?”

“It’s just that I feel like my body and soul are separated when we do it.”

Renko felt somewhat… familiar with that expression, but she didn’t want to let it come across in her voice, and tried to laugh it off.

“There you go again, being all abstract…”

“Ever since I’ve been able to see these strange things, I feel like my sense of reality has bottomed out.”

“Some kind of change is to be expected. After all, for humans, sight influences us more than any of our other senses.

“You think it’s as simple as that?”

“Absolutely. It is also true that I haven’t ever heard of a case where that has had a direct effect on one’s physical sense of touch though.”

“You and me both.”

“So that’s the reason you chose to rely on your friend in the middle of the night?”

“I’m not ‘relying’ on you, it’s just…”

“Just?”

[164]

“I just wanted to believe that there was someone out there watching me.”

+++++++++

Renko felt a sharp pain, like a shard of ice had pierced her heart.

Watching you? Is that all you think I—

Renko took the now empty beer can in her hand and swung back her arm, ready to throw it against the wall — but she paused, and lowered her hand, trying to stay as calm as she possibly could.

“……What kind of nonsense is this now?”

((((The tone of Renko’s voice had changed slightly from before. Was there a trace of… anger?))))

“Renko?”

Even so, she could tell that her frustration was coming out in her voice. She felt an emptiness, a helplessness well up inside her.

I know. I… I know.

“Yeah?”

“Never mind, it’s nothing. But I wonder, what should I do?”

“About what?”

“My boyfriend.”

“Well I think your boyfriend is partly to blame. He’s got this beauty lying next to him every night and doesn’t lay a finger on her? He must be out of his mind.”

“Is that supposed to be a compliment?”

“Just trying to make you feel better.”

“Well, thanks.”

[165]

“…So you don’t like doing it?”

Renko felt a small sliver of hope shine inside of her, and she hated herself for it.

“That’s not… I don’t think that’s it. Like I said before, I just don’t feel like I’m myself. When we do it, it’s… I feel like something’s off, something’s not right.”

“You think it’s a problem with your sexual sensitivity?”

“Maybe? But I don’t think that’s quite right either.”

“So you feel pleasure, but it isn’t leading to any emotional satisfaction?”

“That might be the reason. When we do it, it’s like my spirit is

“That might be the reason. When we do it, it’s like… my soul is separated from my body, like a ghost. It’s not as if I can see anything, but… No, that’s not right. I can see. I can see my boyfriend. I can see the room. I can see everything properly, but it’s as if I’m observing everything from the outside.”

“Sounds serious.”

“You aren’t taking me seriously, are you?”

“Of course I am.”

“Well… if you say so.”

I don’t want to take you seriously now. Please, just stop it. Stop!

Renko held back the urge to scream.

“Why don’t you try something new for a change?”

[166]

“Something new? I’m not trying any of that weird fetishistic stuff.”

“That’s not what I mean. Like, what if you try sleeping with someone else?”

“You’re saying that’s not fetishistic? No, I don’t want to do anything like that.”

“Are you sure? The basic idea is that by breaking down the status quo, you might be able to find something new.”

“But still, I don’t want to have sex with another man.”

“Who said anything about another man?”

“Huh?”

“I mean, you could do it with a woman.”

Renko held her breath as she waited for Merry to answer.

“Renko, you… always come up with the craziest ideas, don’t you?”

“Is it really that crazy though? To be honest, in this day and age… the idea that sex is an act only to be shared between those of opposite sexes, I think, is the one that’s more behind the times.”

“I… guess you’re right. But still, I wouldn’t want to have sex with some random stranger.”

“So you’d be fine with someone you knew?”

“Better than someone I didn’t.”

“How about having sex with me?”

Renko could hear Merry gasp on the other end.

“R-Ren… ko?”

“……I was kidding.”

“T-That wasn’t funny, okay? You almost gave me a heart attack.”

“Why?”

“The thought of having… of having sex with you is just… I’ve never thought of anything like that before.”

“That makes sense I guess… Well, I mean, it just sort of came out. I wasn’t really thinking.”

“That’s not something you say without thinking.”

“I’ll keep that in mind.”

“Please do… But, come to think of it, I feel a little better now. Maybe because of your bad joke?”

“Behold the wonders of Ms. Usami’s Shock Treatment! Pretty effective, don’t you think?”

“I’m afraid of the side-effects.”

“What kind?”

“I’m not telling you.”

“As the founder of this treatment I’d like to pin down its various effects and virtues.”

[168]

“Enough already! Good night.”

Merry hung up on Renko, and the “caller unavailable” tone played from her terminal and into her ear.

I handled that well… I think.

Renko hugged her knees to her chest and began to cry like a baby.

“Me..Merry…”

Renko wrapped her arms around her head and kept crying.

People only cry when… Renko thought back on words she has once said. Tears come to wash away all the things inside you you don’t need. For instance, dust, sand, sadness… If that really is the case then why won’t this wash away? No matter how many times I cry, they won’t leave me — these feelings of love I have for my friend.

I know. I know that she’s straight. She’s the type that likes men. I knew from the very beginning that these feelings were one-sided, and this love would never be requited. But that was fine — it was enough for me. I had a connection with her, over the strange eyes we had, and when she began to be able to see beyond the boundaries, when we began to share those visions, it was like we were having sex. I was on cloud nine.

[169]

But that just made it all the more depressing — the fact that I was only a friend to her. No matter what we went through together, I was nothing more than a friend. That’s why…

That’s why I slept with that other girl.

Renko thought about her current girlfriend. She had met with her that day, and almost every day for a long time, but Renko could not remember her girlfriend’s face. Renko knew she didn’t love her girlfriend. That story she heard about the woman who got married to someone she didn’t love? Of course Renko didn’t find that woman scary. After all, she looked at a real-life version of her in the mirror every morning — and she had only hate for what she saw. Every morning she woke up so frustrated at herself she could hardly bear it.

Renko continued to cry and cry, and in frustration she slammed her fists on the table.

Whether by some chain of events related to Renko’s flailing, or just by pure coincidence — the television turned on.

A news program flashed on the screen.

“Today at five in the afternoon, an explosion took place in the West Kyoto Metropolitan Area. Prior to the explosion, a video suggesting another bombing was imminent was uploaded to a site, under the pseudonym ‘ICO’. From this information, police are investigating a link between today’s explosion and the previous chain of bombings. The explosion took place in — Park, in the vicinity of…”

[170]

It’s probably the clock by the fountain.

I know.

After all, the past five locations have all been… places I went on dates with that girl.

***

This is where she kissed me for the first time. So let’s burn it. This is where she gave me a present for the first time. So let’s burn it. I wonder if she’ll notice. I wonder if she would be kind enough to notice. After all, even the videos are a parody of that strange film she told me about. She likes those sorts of things. Ah… this is where she hugged me. So let’s burn it. This is where she had sex with me. So let’s burn it. Let’s burn all of my memories of her — all of them. Surely, this is what eternity truly is. Kai was such an idiot. Clumps of ice melt away — you can’t build eternity with that. That’s why I burn them. Everything, everything will turn to ash. Once I do that, the flame will last forever. I wonder if she will understand. After all, this is what the witch taught me.

***

[171]

When Alice first asked me whether I would like to make a doll, it was about a week after we first met. I wonder if she asked because it looked like I was interested in the dolls in her room.

“Wouldn’t it be… difficult?”

“Oh, not at all. Certainly, if we were going to make a proper celluloid doll, some dedicated machinery would be necessary, but for something like a stuffed doll, all you need is some yarn and needles. And look, here.”

What Alice showed me was a doll that looked just like me.

“I just carved this out of wood. Do you know how to use a carving knife?”

“I’m… not sure I’d be able to do that.”

“I see… But, it does look like you are skilled with needles.”

I would have felt bad just watching and drinking tea, so I was helping Alice with her work. All I was really able to do was sew clothes for the dolls, though. Something strange I noticed was that Alice seemed to either hand sew all of her dolls’ clothes, or use a hand-crank sewing machine, a kind I’ve only seen in museums. I mentioned that there were better machines available nowadays, but it seemed to upset Alice a little bit.

[172]

“I can’t ever get used to those things,” she said.

I thought it was kind of cute.

“Hm… Well what about this?” Alice said, taking four cardboard boxes out from a corner of the room.

When I looked inside, there were mountains of doll parts. There was a box of just arms, a box of just legs, a box of just torsos, and a box of just heads. However, Alice quickly shut the box with the doll heads. After all, there’s no point if you don’t make the face yourself, she said.

“The face?”

“Yes. After all, dolls project one’s hopes.”

“Hopes?”

“What you want to do, who you want to be — People dismiss agalmatophiliacs as those who are only falling in love with the ideals they project onto their dolls, that their love is nothing but a warped form of sexually desiring oneself, but truly, what are dolls but stand-ins for the self? That’s what dolls are. They are manifestations of one’s ideals, of one’s hopes.”

[173]

“I… I hate that.”

“Oh? Did you not like dolls?”

“No, it’s… I hate the word ‘hope’. It’s written as ‘begging for one’s wish’. Doesn’t that make it sound like it will never come true? That’s why I hate it.”

“I see.”

Alice took my hand and closed it around something. It was a small white cube of styrofoam.

“Then how about just a wish? Once you have finished making your doll, I’m sure that you will find what it is you wish for.”

“What I wish for?”

“What you want to do, who you want to be — for dolls are like mirrors.”

Alice said it would probably be difficult for me to make the body from scratch, so she taught me how to put the doll’s body together using the finished parts. But that way, I couldn’t help but question whether there was any meaning to what I was doing, and it must have shown on my face.

Alice poured me a fresh cup of tea and smiled as she handed it to me.

“Would you have rather started from scratch?”

[174]

“Well when it comes to things like this, if I didn’t start from scratch, I don’t think it would feel like I actually made it.”

“So if you don’t make everything yourself, you can’t project your soul.”

“I don’t know if that’s what it is, but isn’t art supposed to be something like that?”

“Well… have you heard of bricolage?”

“Bri… what?”

“I believe the original definition comes from the act of patching things up with what you have. What is the meaning in forcing yourself to create everything, if the purpose is to express something?”

“Meaning…?”

“Yes. When you express something, it is necessary to have meaning, and weight behind your expression. What do you want to do? Where is the best solution for that desire? For what or whom is your expression in the first place?”

“I want to convey… something?”

“And then?”

“Huh?”

“Once you do that, what will you do next? Are you really content with stopping there?”

“Um…”

[175]

“Expression, at its core, aims to induce certain thoughts in the receiver. With that in mind, you should not deny the existence of the ready-made. Furthermore, there is no reason that an ‘original’ be contained by a single work. You see, through the combination of pre-constructed stock materials, it is still possible to express something you want induced in an observer. Another possibility is taking several already existing works and standard objects and combining them to learn what you yourself are — am I wrong? If you become so obsessed with the idea of creating something all by your own hands, and forget what it is you want to do in the first place, isn’t that missing the point?”

“Um… I… Uh… Sorry.”

“No need to apologize. After all, making something from scratch is important as well. But you know?” Alice smiled. “Isn’t it a waste to make that itself your objective?”

“A… waste?”

“Yes. If you let your heart stay as it is inside of you, without having anyone else listen to it, surely as time passes, it will die.”

“Die…”

“Since your heart will otherwise die, you need not worry about this being hodgepodge. You shouldn’t worry about the body being a simple assembly. But still, the last part is crucial. There are times when a stock face will just not do.”

[176]

So carve out a face, Alice said, pointing to the styrofoam in my hand. Whatever comes to your mind.

So, I started carving.

What face…
What kind of face…
What kind of face do I want to make?
What kind of face would be most proper?

Without any clear purpose I rounded out the styrofoam, into the shape of a head.

I made mountains of white sphere-like heads — with nothing, nothing but white.

“Alice… What do I do?”

I can’t think of anything.
I can’t think of what face I should make.
I can’t think of what expression I should make.
What kind…
I can’t see at all, what kind of wish I should make.

“Ah… in that case…”

[177]

You must not what to be yourself, Alice said.

“I don’t… want to be myself?”

“Exactly,” Alice said — and then continued.

“You want to destroy everything.”

***

Advertisements